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Werner Herzog Premieres 'Bucking Fastard' at Venice Film Festival

The episodic drama stars sisters Kate and Rooney Mara as sheltered women navigating a legal battle in Ireland.

TechNewsReel Newsroom · September 3, 2026

Director Werner Herzog has premiered his latest episodic drama, "Bucking Fastard," at the Venice Film Festival. The film explores the psychological boundaries of codependence through the lives of two sheltered women attempting to integrate into a world that views them as anomalies.

Starring real-life sisters Kate and Rooney Mara as Jean and Joan Holbrooke, the narrative centers on a legal battle in Ireland. The protagonists face trial for the stalking and harassment of a neighbor, played by Orlando Bloom. The film's title is derived from a spoonerism—a verbal slip made by the characters during their court proceedings. The production opens with a dedication to filmmaker David Lynch.

The Inspiration

Herzog based the story loosely on the real-life experiences of Freda and Greta Chaplin, twins from Yorkshire who became known for their uncanny ability to speak and move in perfect synchronization. Rather than producing a traditional biography, Herzog utilizes the Chaplin sisters' history to examine the isolation that occurs when two individuals are so perfectly in tune with one another that they become alienated from the rest of society.

Challenging Cinematic Tropes

By casting the Mara sisters, Herzog leverages their natural chemistry to portray a highly idiosyncratic psychological state. The film intentionally deviates from common cinematic depictions of twins, which often lean toward the sinister or the salacious. Instead, "Bucking Fastard" presents the Holbrooke sisters as naive, almost alien souls who yearn for genuine connection while navigating a world that is often paternalistic or devious.

Industry Implications

This collaboration marks a significant stylistic choice for Herzog, blending his career-long interest in eccentric personalities with a focused study on familial codependence. The film's premiere at Venice signals a return to the director's penchant for exploring the fringes of human behavior, challenging audiences to empathize with characters whose social synchronization renders them illegible to the outside world.

What Remains

While the film has generated significant buzz for its performances and Herzog's direction, the broader reception of its episodic structure remains to be seen as it moves beyond the festival circuit. Observers will be watching to see how the film's unconventional approach to narrative and time influences the current landscape of independent psychological drama.

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